Renowned Calligrapher Li Xueguang’s Grand Calligraphic Artwork -A Moonlit Night on the Spring River by Mr. Zhang Ruoxu from Tang Dynasty (size: 880*150cm)

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The long and illustrious history of the Chinese nation has given rise to a profound and brilliant, excellent and invaluable cultural heritage.

This heritage has always nourished the Chinese people, with its powerful spiritual nourishment subtly influencing us -

cultivating our hearts and minds, and benefiting future generations.

In studying the classics such asMencius,Laozi,Zhuangzi, andAnalects, we can see that there is not a single work that does not use water as a metaphor. Similarly, in "A Moonlit Night on the Spring River,"the water imagery serves to reflect the human condition, events, and objects. Master Li Xueguang tells us that life is also like this: life begins on the high plateau, starting as a trickle of a stream, then becoming "confidently believing that man can swim an accumulated length of three thousand miles and so can live up to two hundred years old," and later reaching the age of forty without suffering from the perplexity and fifty with knowing what were the biddings of Heaven. Finally, life returns to calmness and tranquility, merging into the great sea, integrating into a larger, broader, and more profound realm. In this peaceful and serene state, the true essence of the world and the maturity of life can be revealed.

The Vicissitudes of Life: Beauty Lies Within the Heart

The vicissitudes of life are just like this - the beauty lies within the heart, and one's appearance reflects one's inner self. Master Li Xueguang is steadfast and pragmatic, yet possesses boundless imagination and creativity. He holds the classical Chinese culture in the highest regard and has continuously delved into the essence of traditional Chinese culture in his calligraphy creations, seamlessly integrating it with his unique artistic expression to better preserve and promote it.

Through his profound understanding of the imagery, rhythm, meaning, and ambiance of the Tang Dynasty poet Zhang Ruoxu's "A Moonlit Night on the Spring River," as well as his mastery of the clerical script, Master Li has masterfully combined the majestic and upright Northern Stele style with the graceful and flowing Southern Style, creating this rhythmic and aesthetically pleasing calligraphic masterpiece.

The brushwork of this work is clean and crisp, effectively combining the upright and robust strokes of the regular script. The character structure is rigorous and the layout is clear and reasonable. The strokes are bold and flowing, with the ink fully expressed. Each character embodies the ambiance of the spring river at night, with the flower shadows and moonlight seamlessly integrated. It vividly depicts the undulating river and the bright moon described in the poem, harmoniously blending the poetry's imagery, emotion, picture, and meaning with the calligraphy, achieving a perfect fusion of artistic conception and artistic expression. This showcases the rich connotations of traditional Chinese culture and the elegant artistic charm of the ancient art form, culminating in the perfect integration of calligraphic beauty and literary beauty.

The work exudes a sense of tranquility, ethereality, simplicity, and grandeur, reflecting the artist's profound calligraphic skills and his pursuit of the scholar's sentiments. One cannot help but be captivated by the calligrapher's talent and the expressive power of the ink.

Mr. Li's masterful official script work "A Moonlit Night on the Spring River" not only allows us to appreciate the exquisite beauty of his brushwork, but also enables us to experience the elegant and detached attitude towards life that is cherished in Chinese culture.

In the fast-paced world of today, appreciating calligraphic works such as this one allows us to slow down, embark on a spiritual journey of purification, and share in the joy of this experience.

——Let us together raise the sun of love, allowing all little angels to bask in its warmth, with love soaring high.

"Chinese Children - Future Sun"

Children are the flowers of the motherland, the future and hope of our nation.

Childhood is the most beautiful beginning of life, where lofty ideals are nurtured, noble sentiments sprout, good habits are formed, and the sails of life are hoisted.

Oriental Chushai bears the sacred mission of "Chinese Children, Future Sun," upholding the business philosophy of "Inspiring Angels, Chushai Leads." It serves as an envoy between ideals and reality, co-creating extraordinary value with parents across the nation—let us together raise the sun of love, allowing all little angels to bask in its warmth, with love soaring high.

Master Li Xueguang's benevolent spirit has inspired the Linzhang County Hard Pen Calligraphy Association and others to lend their full support to Oriental Chushai's charitable endeavors. Renowned calligraphers and painters from the association, including Jin Fenglin (84 years old), Cheng Zhenfu (78), Li Dexin (82), Hao Xiangying (70), Cui Zhenhai (69), Li Xueping (63), Meng Zhaokui (60), Wang Qingzhou (60), and Dai Junjie (72), have contributed their calligraphic and artistic works to benefit impoverished children and other disadvantaged groups in China. Their efforts aim to provide these children with the warmth of a winter sun, helping more children learn self-study, self-protection, self-reliance, self-strengthening, and self-discipline, inspiring them to face difficulties fearlessly and become strong individuals in life.

Mr. Li's Calligraphic Artworks of A moonlit Night on the Spring River with size of L880*W150cm：

下一篇：Mr. Qin Siyong's Chinese Character Classics, a 240*70cm calligraphic works spanning 51 scrolls to support Oriental Chushuai charitable causes!

上一篇：Master Li Xueguang's calligraphic style embodies the beauty of li (official) script: elegant simplicity, serene composure, and the pursuit of truth and goodness.

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